tag:blogger.com,1999:blog-21165575.post1371577458840238002..comments2024-03-10T20:46:19.274-04:00Comments on In the Middle: Pale Like Me: Resistance, Assimilation, and ‘Pale Faces’ Sixteen Years On (Cord Whitaker)Cord J. Whitakerhttp://www.blogger.com/profile/06224143153295429986noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-21165575.post-37853882362755745322016-07-21T06:58:38.845-04:002016-07-21T06:58:38.845-04:00Thanks Cord and wonderful perspective here Monica....Thanks Cord and wonderful perspective here Monica. So great to see both of you during this summer season of medieval conferences. We need more voices, more ways of being in this field of ours - and the world.Jonathan Hsyhttps://www.blogger.com/profile/13214201468052661183noreply@blogger.comtag:blogger.com,1999:blog-21165575.post-5979375222332735152016-07-21T03:47:49.806-04:002016-07-21T03:47:49.806-04:00Many thanks to Professor Whitaker for this amazing...Many thanks to Professor Whitaker for this amazing meditation. Griffin's *Black Like Me* was a powerful influence on me, too, growing up in a biracial household that was defined by the challenge my father was making to engrained racism in labor practices. Perhaps we should think of "masquerading" as processual: it is an opportunity to see, to experiment with, a future that has not yet arrived. And that is what the past has always allowed us to do.<br /><br />Monica GreenMonica Greenhttps://americanacademy.academia.edu/MonicaHGreennoreply@blogger.com