Tuesday, July 19, 2016

Where to Find Me, 2016-17 version

Caisteal Maol, Isle of Skye, sunset (10:30 PM)
by J J Cohen

A pleasure of being active on social media is the opportunity to meet people (both virtually and in the flesh) I would not otherwise have had the chance to know, especially in distant cities. London last week, for example, was filled with such encounters, both at the Chaucer conference and the Object Lessons reading at the Bloomsbury Institute. I am hoping that by sharing some of the travel I am doing in the academic year ahead I will have the opportunity to meet some more ITM readers along the way ... and to gather some friends who might not know I will be nearby. It's going to be a busy year, and some of the details below are sketchy, but I'll fill them in as they arrive.
  • Sept. 1: Gallery Talk at the New Museum for the (amazing!) The Keeper exhibit
  • Sept. 13: Lecture for the Sculpture + Extended Media Department at Virginia Commonwealth University in Richmond, Virginia
  • Late November / early December: Poland (PoznaƄ) for some medieval goodness
  • January 5-8: MLA in Philadelphia (with Julian Yates I organized a session on "Extro-fictions from the Middle Ages to the Anthropocene," and with Shannon Gayk a session on "Ecological Catastrophe: Past and Present")
  • January 26-27: Rice University for the Camden Lecture
  • March 10: Yale for a seminar sponsored by medieval studies and the interdisciplinary Literature, ​the ​Arts and the Environment Colloquium (yay!)
  • Feb. 25-26: keynote at Illinois Medieval Association conference at Northwestern University on “Medieval Environments”
  • April 5-9: SAA in Atlanta (seminar respondent) 
  • May 11-14: Kzoo!
  • June 20-25: ASLE Detroit (I hope)
  • June 28-July 1 MAMO (Middle Ages in the Modern World) conference keynote in Manchester UK
  • and in the fall thereafter ... Melbourne. Pretty happy about having the chance to return.
That's a full schedule. See you soon?

Sunday, July 17, 2016

a home to distant wanderers

by J J Cohen

I realize that I have been using Facebook to microblog the New Chaucer Society conference (#NCS16), among other things, and that not everyone has or wants access to that gated community. Here's a post I published there to sum up the feeling of being London in the wake of Brexit. I attempted to remain hopeful; you will let me know if I succeeded.


On my last full day in London I decided not to undertake the Canterbury pilgrimage with my conference friends but to create some quiet within a busy week. In the morning I walked around Shoreditch, Spitalfields, and the East End, fascinated by the street art -- as well as by the young people from around the world attracted to that art. I met Anthony Bale for a celebratory post-conference detox of mint tea at a Redchurch St coffee shop, and he observed that this area (now the Brooklyn of London) has changed so much from when some of his family lived there. A sense of connectedness, it struck me, would be difficult to maintain to its trendy incarnation, with its overwriting of the past -- often through beautiful spray paint. I know I feel this way about Cambridge MA, where my great grandfather built staircases in Inman Square but no one in my family could now afford a home.


In the afternoon I spent some time sitting outside a pub, nursing a pint and sketching the road map to a review essay. London's public spaces are wonderful, created for lingering. DC is too busy to encourage anyone to sit anywhere for two hours just to think. On the way back to my flat I walked over (literally, because you view it from above on sidewalk replaced by glass) a subterranean artwork by David Teager-Portman called Choosing the Losing Side (2014), placed next to the remains of a Roman wall excavated at the making of the current market. Two figures in a tableau of death and discovery, the installment reminds me of the uncovering of Spitalfields Woman, a young Roman who had been buried with objects and oils connecting her to the Mediterranean and a wide world. London has always been bigger than itself, a home to distant wanderers.



This errant theme was made palpable after a Brick Lane dinner with an assortment of favorite people: Kathy Lavezzo, Dorothy Kim, Farah Mendlesohn, Edward James, Tom White, Dan Remein, Julie Orlemanski. The meal was pure serendipity. I'd simply placed a note on Facebook that I was reserving a table for friends and strangers to join, and this collection of people who did not all know each other (some medievalists, some not) coalesced and, I hope, are now fast friends. Over curry Farah told us what it was like to grow up in the East End, and afterwards took us on a walking tour of some its buildings and homes. Intermixed with its Jewish, Irish and Bengali histories is a French tale of Huguenot refugees weaving silk in specially designed buildings, which you can now spot for their huge windows and multistory layout. I admit we peered into strangers' houses on quiet roads and imagined what it was like to live and work in these spaces. Farah stressed throughout her impromptu tour the long history of the area to protest and dissent. Nearby for example Oswald Mosley thought he would lead a Saturday march of his fascist supporters down Cable Street, but the Jews did not stay in their synagogues as he planned, flooding the streets to block his Blackshirts and deal his antisemitism and toxic nationalism a rather stinging blow. We ended at the magnificent Christ Church Spitalfields, where Edward told us about the excavations that yielded lead-lined caskets ... with bodies so well preserved in them that the archeological teams needed trauma counseling after their opening. Not every message from the past is a story affirming to tell, but resonates all the same with something of the moment into which it arrives.


I don't know what a post-Brexit London will offer. If this little slice of the radical East End excavated mainly through the passions and memories of friends is a small indicator, I can predict that impurity, coalition, dissent, and alternative stories are going to endure. Struggle is a synonym for future. Walking back to my flat last night, thinking about the friends and strangers in whose company I passed the long day -- and the people with whom I spent a week at a conference devoted to an author who well knew that the world is full of difference (even if he was at times oblivious to the violences that he reinforced in telling stories of that world) -- then the persistence of challenge to easy narratives and resistance to homogenizing force seems to me clear. Surely there are some neighborhoods like the East End where better visions of living together are being advanced through protest and alliance. But surely also we possess wide communities of conscience, alliance, affinity, and resistance that are also working (in multiple registers) to ensure that the present does not betray the boisterous heterogeneity of the past, that the future is better (more affirmative, more queer, more inclusive, more diverse, more difficult) than the reduced prospects we have been told to expect.

Friday, July 08, 2016

Pre NCS London 2016: Things To Do + Events

by JONATHAN HSY

Bedside reading: guide to Pride in London (festivities just ended in June).
Patience Agbabi's Telling Tales, Lavinia Greenlaw's A Double Sorrow.

The International Medieval Congress in Leeds has just concluded, and the New Chaucer Society Congress in London is approaching!

Here's a quick post with a few items of note ahead of NCS (ITM readers will surely notice that many of these items are responding directly to current events and geopolitics).

The #femfog roundtable at the IMC in Leeds was an animated and productive venue that explored strategies for building a more inclusive and ethical medieval studies. Such conversations are sure to continue at NCS, whether through official sessions or informal venues. Fore more on the Leeds session:

Topical reading list for medievalists. See Jeffrey's list of "reading for sustenance" (compiled on 2 July) including Brexit- and femfog-related items by medievalists. See also my posting on refuge and welcome (20 June), and two new items published yesterday (7 July):
Things to do in London before NCS:
  • Chaucer's London Today. A guide to site of interest to Chaucerians around London (document posted by Lawrence Warner).
  • Protest march in Brixton. For people following ongoing developments in the US, consider this rally to be held in solidarity with victims of police brutality (Saturday).
Events associated with NCS:
  • Queers & Allies. Informal social gathering for queer (LGBTQ+) medievalists and allies. Tuesday (12 July) starting 9pm at the Royal Oak (at 73 Columbia Road; this is about a 30 minute walk or 2 minutes by taxi from Queen Mary). [h/t to Anthony Bale and to the #QueerMSS crowd especially Diane Watt and Roberta Magnani]
  • Safe(r) Spaces Conversation (moderated by Helen Young). “A Pilgrimage to Safe(r) Spaces: Classroom Crossroads of Identity,” Thursday (14 July) at 9-10:30am, Bancroft 1.13a. This event was created to center crip/queer experiences (e.g., issues relating to disability and sexuality), but will no doubt expand to incorporate many other identities.
Some events of note on the NCS program(me):
  • The “Corporealities” thread explores facets of identity and experience in the medieval past and the present; note the highly topical "Pale Faces" session interrogating whiteness and medieval studies (Monday 11 July, 2pm, Arts 2 Lecture Theatre).
  • Global Chaucers roundtable exploring translation, adaptation, and comparative literary approaches: "Translating Global Chaucers" (Wednesday 13 July at 9-10:30pm in PP1).
  • Readings by neo-Chaucerian poets Lavinia Greenlaw (Tuesday 12 July at 5:30pm, People's Place Theatre) and Patience Agbabi (Wednesday 13 July at 8pm, Arts 2 Lecture Theatre).* [note also Jeffrey's post on other events that night]
*A brief blurb for the Patience Agbabi reading (not in the online version of NCS program):
Patience Agbabi is former Poet Laureate of Canterbury. Telling Tales (Canongate, 2014), in which she disperses Chaucerian narratives in present-day multiethnic London, was shortlisted for the Ted Hughes Award for New Work in Poetry. Her work appears also in the anthology The Refugee Tales (Comma Press, 2016). She will  deliver an interactive reading “Herkne and Rede” that explores poetry performance as dynamic adaptation.


Tuesday, July 05, 2016

Object Lessons Reading in London: Wednesday 13th July

by J J Cohen

If you happen to be in London next week -- say, because you are attending the New Chaucer Society Biennial Congress, or because you live there, or because you need an excuse to spend some time in the city -- please know that you are cordially invited to a public reading by four authors of Object Lessons books. A webpage with complete details is here and you must register for a ticket in advance, but the event (conveniently located in Bloomsbury) is open to all. The presenters include:
Martin Paul Eve (Password) is Professor of Literature, Technology and Publishing at Birkbeck College, University of London, UK. He is the author of Open Access and the Humanities: Contexts, Controversies and the Future (2014) and Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (2014).
Alison Kinney (Hood) is a freelance writer based in Brooklyn, USA. Her writing has appeared online at Paris Review Daily, The Atlantic, Hyperallergic, the New York Times, The New Inquiry, New Republic, Narratively, and other publications.
Joanna Walsh (Hotel) has written for Granta, the London Review of Books, n+1, The White Review, The Guardian, Narrative Magazine, The European Short Story Network, Tate, and others. She is the author of collection of short stories, Fractals, and a visual diary of London, London Walks!, now on its third printing. Her writing has been selected for Best British Short Stories (2014, Salt Publishing). 
I will be reading from Earth, the book I co-wrote with Lindy Elkins-Tanton (Director of the School of Earth and Space Exploration at ASU and all around awesome person). The book itself will be available early in spring 2017. Although at this point in my life I'm well practiced at delivering academic talks, I've never done a reading from my work per se so I am a little nervous about how it will go. Lindy also cannot make the event but she will be present in spirit, and I will do my best to rise to the eloquence of Martin, Alison and Joanna.

I realize that this reading is up against many New Chaucer Society evening functions the same evening, and for that I'm very sorry. There is a small charge for tickets (with a discount for students, including graduate students), but refreshments are included if that helps. And if the price is a bar to your attendance email me please and we will work something out.

Registration and complete information, including the address of the venue, may be found HERE. Hope to see some friends on July 13th!




Monday, July 04, 2016

IMC Leeds 2016: Brexit and femfog convos

Info on the new #femfog session as printed in the addenda/corrigenda for IMC Leeds 2016.
Click to enlarge (full info provided below in this post as well).
by JONATHAN HSY

[Note: UPDATED July 6 with contextual #femfog links, at the end of this post]

Happy Independence Day to readers in the US! For some timely readings on this day (directly related to Brexit and femfog conversations), see this excellent reading list of medievalist perspectives compiled by Jeffrey.

The International Medieval Congress in Leeds (twitter hashtag #IMC2016) is about to begin!

A reminder for two timely items not listed in the printed program:

Tuesday 5 July 2016: Informal Post-Brexit Chat (6pm, Terrace Bar).

Kathryn Maude and Kate Weikert are hosting a chat on how to move forward post-Brexit. Meet at the Terrace Bar at 6pm. The hashtag for people who wish to follow these convos on twitter is #IMCAntiBrexit.

Wednesday 6 July 2016: Embracing the #femfog (1pm at Michael Sadler Building: Rupert Beckett Theatre).
Abstract: The misogynist invention 'of femfog' and the racist praise of medieval 'white men' had unintended positive consequences: an online surge of willingness to name and act against abuse and unethical behaviour in medieval studies, not just in Anglo-Saxon studies, not just against women. Continuing these discussions, we want to expose the structures that enabled and enable unethical behaviour in universities, and aim to make medieval studies more fully inclusive, collegial, and ethical. We want to explore ways of working against emotional, verbal, and sexual abuse, gate-keeping, exploitation, and bullying especially of students and younger scholars, racism, homophobia, transphobia, ablism, and misogyny in medieval studies, and affirm the openness, collegiality and inclusivity of our fields. 
With David Bowe (Oxford), Liz Herbert McAvoy (Swansea University), Jonathan Hsy (George Washington University), Dorothy Kim (Vassar), Christina Lee (University of Nottingham), Robert Stanton (Boston College), Elaine Treharne (Stanford), and Helen Young (University of Sydney). Chaired by Diane Watt (University of Surrey).
The hashtag for this convo will be, of course, #femfog. It's listed as Session 1198 so if you are doing any tweeting at IMC about this one, it's good to provide the session hashtag too (e.g., use #s1198).

This blog post at ITM has the full information for this #femfog session.

UPDATE July 6 - for reading directly relevant to #femfog convos, some links:

Saturday, July 02, 2016

After Europe, After Brexit

a guest post by DAVID WALLACEJudith Rodin Professor of English, University of Pennsylvania



                                                After Europe, After Brexit                                    

This talk was given at the Centre for Medieval Studies, York, as part of the conference 'Theorizing Medieval European Literatures', organized by CML (Centre for Medieval Literature, York-Odense), on Saturday 2 July 2016. It may serve ITM readers as a brief and preliminary guide to likely impacts on UK Higher Education, and on Medieval Studies, following the Brexit vote of 23 June. It may also help set the mood music for those about to attend the New Chaucer Society meeting at QM, London.

My title 'After Europe' has obviously taken on quite different valence since the Brexit vote of 23 June. The original idea was for me to reflect on what next steps might be taken following the completion of a particular editorial project, namely Europe:A Literary History, 1348-1418. A number of contributors to that project are here at this conference, and the project benefitted immensely from previous workshoppings at York, and in a range of CML venues. But we are now 'After Europe' in a much more immediate way if the United Kingdom really is to leave the European Union. Melancholy Narcissism might drive me to ask whether I've been wasting my time, and other people's, over the last eight years in gestating a giant white elephant? But since Narcissism is by definition solitary, I will pick my head up to notice that I have plenty of company in misery.  Many other projects ongoing or completed now find themselves in a world at odds with the logic of their own self-conceiving : one could start with Simon Gaunt's Medieval Francophone Culture Outside France, an AHRC-funded project that ran from 2011 to 2015, and that lives on as a web resource. Most of all, however, I think of the Interfaces group, specifically the core members Christian HĂžgel and Lars Boje Mortensen, of Southern Denmark, and Elizabeth Tyler, of York. These fine scholars have poured a decade of their lives into what might be regarded as a 'greater Europe' project, or 'Eurasia' project.  They and many others across Europe have been extremely generous in working with English as the privileged lingua franca of collegial discussion. I hope that the Danes will stick with us, but I cannot resist quoting a recent post by Lars, as he reaches for his fellow Danish author, Saxo Grammaticus:
They saw doom ahead, fear was in their hearts, and you would have imagined that the misdemeanours of a single member were recoiling on all their heads" (This is Saxo grammaticus iii.4.9, on the false gods realizing that their whole scam was falling apart because of Odin's behaviour).
Before essaying any turn to the positive, I think it worth registering just how bad things are-- just how destructive an effect Brexit promises to have on British participation within European scholarly initiatives. Our best correspondent here, as many of you will know, is Graham Caie of the University of Glasgow. Graham represents the UK Academies in the Federation of European Academies. Here's what he had to say in a FB post from earlier this week:
The UK academies which at present take the lead in giving advice on EU funding to the UK government (BIS) will not have a say in future EU funding decisions. The UK will now have limited access to EU research funding and at a greatly reduced amount, as do Switzerland and Norway -- and the US. The UK at the moment receives over €1bn annually. In 2007-2013 UK received €8.8bn and contributed €5.4bn. This will now cease or be greatly diminished and universities will suffer greatly. The UK per capita receives the largest EU research amount -- but this will go. At the moment the UK can only fund large research projects such as the Space Agency with EU collaboration -- that will stop. One commentator stated, when the Leave folk were pointing to Switzerland's success: "Switzerland now pays more and gets less [from EU research funding], co-ordinates almost nothing internationally and has no control over its scientific budget or which topics to fund." Sad days for UK research, and I've not begun on EU student and staff mobility....
We might set this, however, against the more positive approach taken in a newspaper article from earlier this week:
I cannot stress too much that Britain is part of Europe, and always will be. There will still be intense and intensifying European cooperation and partnership in a huge number of fields: the arts, the sciences, and on improving the environment. EU citizens living in this country will have their rights fully protected, and the same goes for British citizens living in the EU.
The good news here is that this is very good news. The bad news is that the bringer of it is Boris Johnson, writing in the Daily Telegraph. Martin Kettle, writing in the Guardian, assesses it as 'a string of confident assertions that are likely to fall foul of the facts. Universities, for example, stand to lose significant income if EU students-- including Irish people-- are less able to come to the UK to study'.

Further spurs against Narcissism were supplied by Sarah Rees Jones and Nick Havely, both of this [York] parish, and by Lee Spinks of the Edinburgh English Department, by way of Essex. Sarah says that 'we have all been way too complacent about the 'Londonisation' of the economy and of politics for way too long. Too much of England and Wales has been written off as redundant and irrelevant as London has gone from strength to strength... I have colleagues who have travelled all over Europe and the world but never been to Bridlington, Pontefract or Hartlepool'. Lee Spinks notches this up several degrees: 'to be confronted', he says, 'with the blistering, paint-drying-at-20-metres metropolitan contempt for the Leave voter, fetishistically addicted to its fixed and already established subject-positions (the "racist", the "old", "the uninformed", the "delusional" and so on) without any real sense of the internal drama or deep history of the way these identities or plural subjects were formed ...'

Nick Havely modulates from rage and despondency to thoughts of reparation: 
Amongst other things, too, the decision is a gross betrayal of a whole generation: nearly three quarters of 18-24 year olds... voted to remain. . . we have to work through the rage and despondency and try to get not mad but even. Having canvassed for the Labour Remain campaign in Oxford over the past week, I’m even more convinced that one of the few things those of our age can do is to try in some small way to mitigate the damage being done to the prospects of the younger generation. . . Perhaps modern linguists, beleaguered as they already are, can help to contain a further outbreak of insularity'.
Peter Scott, of UCL's Institute of Education, concludes his piece in Tuesday's Guardian by reminding us that 18-24 year olds have been paying the price for bad educational policy for quite some time:
'In 2000', he says, 'going to "uni"' was still, as it had been for generations,      about optimism, an opening-up for individuals, communities, our whole       society. Today it is more associated with high fees, crippling debts, bogus       'value for money' and spurious 'satisfaction'. None of this is really higher   education's fault. But we are paying the price.
This certainly resonates with me, since my years at York in the 70s, on a government grant, were absolutely a time of optimism, experiment, and 'opening up'. What I see in my own American university, given concerns with high fees and crippling debts, is an ever-increasing obsession with grade point average, and associated mental health issues. In Texas, where I taught for six years, it will become legal to carry a concealed weapon on campus from 1 August.

Peter Scott begins his article with a statement that flatly contradicts Boris Johnson, he who so blithely stated, as you just heard, that 'Britain is part of Europe, and always will be'. 'The unthinkable', Scott says, 'now has to be thought. The UK is abandoning Europe, which-- let's be honest about it-- is what leaving the EU amounts to'. So this brings us to alternative points of inertia: to relax with Boris, because Britain is always already part of Europe, so no effort is required; or to relax with Peter Scott, because Europe has now already definitively disappeared beyond the horizon. Inertia, or at least a form of depressed paralysis, has gripped many of us this week, and it might seem besides the point to ponder, as medievalists, how (or even if) we might bestir ourselves. But it's worth noticing that this very Centre for Medieval Studies at York predates the UK's joining the EU in 1973, and has hence developed habits of thinking and working within and as part of Europe that are not going to vanish overnight. So some thoughts about what we might do.      

Support for Modern Languages, as Nick Havely suggests, should be high on the agenda of any English-based medievalist. CML's online journal Interfaces publishes work inFrench, German, Italian, Spanish, and English, and it is salutary for we Anglophones to read work in 'other' languages. Indeed, immersion in languages other than English would be a good and worthwhile act of penance, beginning this summer, for those of us who have benefitted most from English being the privileged language of international scholarly exchange.

Commitment to younger scholars can be made in many ways, including through international summer schools of the kind organized by CML this summer in Istanbul (see pic). The commitment of these students, many of them from tricky locales such as Jordan and Syria, Moscow and Venezuela, is truly inspiring. Their pursuit of knowledge is often at odds with their chances of getting a job, or even (in some places) inversely related to it. Subjects such as Vladimir Putin's devotion to St Vladimir, in the Crimea, or the relocation of the Crown of St Stephen to the Hungarian parliament are sensitive, to put it mildly.

Rewards for those of us currently on the teaching side are immense. My tutorials in Istanbul saw us move from Erich Auerbach's 'Dante' chapter in Mimesis to Emily Apter's Translation Zone to Kader Konuk's East West Mimesis. Apter critiques Edward Said for modelling himself as a critic-in-exile on Auerbach, rather than on Leo Spitzer, since (Apter says) Spitzer mixed with locals and learned Turkish, whereas Auerbach worked only with masterpieces of western literature. Konuk shows that Auerbach's claims about not having access to secondary literature and scholarly apparatus were bogus, but she argues that in focussing upon western works, Auerbach was upholding the modernization program defined by Attaturk: the same program that abolished Ottoman script, and that turned Hagia Sophia from mosque to museum. All this can be learned from the books of Apter and Kader, as produced and published within American academe. But one of our summer-schoolers from Moscow, formerly a journalist and now studying into an uncertain future, pointed out something that American scholarship had overlooked: that Attaturk's revolution was in part funded by the Soviet Union. The suggestion that Moscow saw Attaturk as a kind of mini-me Lenin is not something I had ever heard before, and would not have heard outside that remarkable CML summer school, held in the Swedish compound in Istanbul 50 metres away from the Russian embassy, itself subjected to a noisy protest by Palestinians on the last night.

Gathering awareness of such complexities had long inspired and sustained my editorial work on Europe: A Literary History. It was evident from surveying the field, such as it was, that the man who moved into Spitzer's job once Spitzer had been chased off to Istanbul still exerts powerful and indeed normative influence. I speak here of Ernst Robert Curtius, author of the magisterial European Literature and the Latin Middle Ages, published in German in 1948, in English in 1952, and lauded by T.S. Eliot as 'this magnificent book'. Europe certainly needed some sense of a unifying culture to rally round after World War II, and Curtius, buoyed by the salutary and wholistic effects of his own Jungian psychoanalysis, gave them the tropes and figurae of Latinitas. The cult of T.S. Eliot was very strong when I arrived at York in 1973, the year of EU entry and the year after the Department of English and Related Literature had combined collectively to celebrate the fiftieth publication anniversary of The Wasteland.

The enduring allure of Latinity and Rome is further indicated by Chris Wickham's contribution to The Penguin History of Europe, covering the period 400-1000, from 2009. In opening his 'Introduction' Wickham makes remarks that might seem trenchantly anti-European, or un-European, or pre-European:
Europe was not born in the early Middle Ages. No common identity in 1000 linked Spain to Russia, Ireland to the Byzantine empire (in what is now the Balkans, Greece and Turkey), except the very weak sense of community that linked Christian polities together. There was no common European culture, and certainly not any Europe-wide economy. There was no sign whatsoever that Europe would, in a still rather distant future, develop economically and militarily, so as to be able to dominate the world. 
And yet Wickham's volume is called The Inheritance of Rome: A History of Europe from 400 to 1000. The talismanic name of Rome deploys here to cohere what might otherwise appear fragmentary, dispersed, or ruinous, and Latinity still continues to exert magical powers. In December 2015 I shared a podium with Chris Wickham and other medievalists at the Taylorian, Oxford, as part of the launch event for an integrated, cross-disciplinary, un-siloed program in Medieval Studies. Numbers were huge, spilling over to the upstairs of the auditorium. Conversations ranged broadly, but the only comment that led to wild applause from the audience was the suggestion that we must teach more Latin. I'm always happy to support Latin, but there was no applause at mention of the magnificent exhibition of Armenian manuscripts then on display just down the road in the new Weston gallery of the Bodleian. Armenian literary production was staggeringly precocious, with liturgy and Scripture from the fifth century, and highly individualized: scribes do things in Armenian colophons, throughout the Middle Ages, seen nowhere else.

Armenia is just one of many locales across the territory of medieval Europe that are in literary terms alternative to Rome. In the 'General Introduction' to Europe I adopt Osip Mandelstam as one of my revisionary muses, remembering his Journey to Armenia, and Seamus Heaney as the other. Heaney was an admirer of Dante, like Curtius and Auerbach, but also of Osip Mandelstam, convinced that unlikely places such as Armenia or Ulster may surprise or outflank the European centre. Heaney rediscovers his Dante at Lough Derg, a medieval site of pilgrimage that drew visitors ranging from Hungarians to Neapolitans. Lough Derg lies not far from Lecan and Ballymote-- where great texts of a resurgent Gaelic world were being compiled after 1350 by scribes showing little knowledge of Latin.

The recent resolution to decouple Britain from greater European concerns should not, then, discourage us from pursuing Europeanist (and global) work-- which, in my opinion, is the only kind of work that makes sense for medievalists, English or otherwise. It may be that British medievalists have to try developing direct relations and exchanges with particular European institutions, rather than chasing free-floating pots of EU money. It's encouraging to see that York's Vice Chancellor, Koen Lamberts, is from Belgium; and that he is already putting his mind to preserving European ties, with his ten point plan of action. The trans-territorial, cross-lingual complexities of the Middle Ages, early and late, that our scholarship already articulates already resonate with the complexities of our own time. I'm thus less inclined, in this company, to despair of our future. The optimism with which I signed off the 'General Introduction' to Europe two years ago now seems irrecoverably peppy. But I would, in this company, stand by the optimism and conviction of its final paragraph:
Europe ... apprehending diminished standing in the world, is falling out of love with itself. Our project affirms belief in Europe as a compelling and inspiring subject, and in philology, practiced with urgent care by that post- war generation, as vital to its articulation. The Latinity honoured by the centripetal imagining of Curtius remains vital as one literary force field among many in a Europe divided by papal and East-West schisms, by more radical faith divisions, by Arabic, Hebrew, Greek, Slavic, and Armenian literacies, and by burgeoning vernaculars. Geography here supplements philology, as space supplements time: topoi are to be seen not only as literary figures, rooted in classical antiquity, but as places on the ground. The space of this new Europe, expanded and interconnected, has no hard and fast borders but rather sites of cultural negotiation producing literatures of extraordinary variety, ingenuity, and regenerative power.
I'd like to conclude here with a few words about what I've actually been doing 'After Europe', which is to say writing a Very Short Introduction to Chaucer for OUP. Next week, manyof us will gather with the New Chaucer Society in London, and Chaucer is a poetoften invoked to demonstrate foundational and insular 'Englishness'. So here's my attempt at saving Chaucer from recuperation by the Little Englanders:

Born in London, Chaucer died at Westminster some time in October 1400. His burial place in the Abbey eventually became poet’s corner, and admirers from the sixteenth to the twentieth centuries never tired of hailing him as ‘the father of English poetry’. As such, it was reasoned, he must surely embody those qualities of Englishness most admired at the time of writing.  In 1946, Marchette Chute published a book called Geoffrey Chaucer of England, as if our man is about to lead out the national football team for the first post-war international friendly. All this is understandable, especially in the context of 1946, but quite wrong. Chaucer was hardly English at all: that is, his home base of operations was an area taking in the south-east quadrant of England, the Channel, which he crossed many times, and the English-controlled continental region bordered by Flanders, Artois, and Picardy.  Since he seems never to have travelled in Scotland, Wales, Cornwall, Ireland, or England north of Yorkshire he might more plausibly be known as ‘Geoffrey Chaucer of Logres’, the region south of the Trent as demarcated by Geoffrey of Monmouth’s History of the Kings of Britain.  And also by Arthurian romance, although this would not have pleased Chaucer since, following contemporary Italian fashion, he regarded Arthuriana with affectionate contempt. He knew of Italian literary fashions because he had travelled in Italy, owned at least two Italian texts, and translated brilliantly from Italian. French he knew as the most prestigious of English vernaculars, vital for life at court, diplomatic exchange, legal debate, pillow-talk with his wife, and badinage with his sister-in-law, Katherine Swynford, nĂ©e de Roet, mistress and later wife to John of Gaunt. Latin, beaten into him as a boy, was the language of Church and Bible; Englishers of the Bible were criminalized during Chaucer’s lifetime and, shortly after that, faced death by burning.

Chaucer, then, was no ‘little Englander’. He understood many languages, and also how one language or dialect along any given route modulates into another-- much as accents change between Bristol and Cardiff, or Philadelphia and Boston. He also heard tongues combining to form inter-languages, much as Scandinavians today pool their Norwegian, Swedish, Danish, and even Icelandic to fashion working idioms.  His boyhood and then manhood on Thameside quays formed a perfect linguistic testing ground as goods from Francophone, Flemish, Dutch, ‘Deutsch’, and Italian locales were exchanged. From such poly-vocalities Chaucer fashioned his English. His choice to put all writerly eggs in one English basket remains remarkable: his friend and fellow poet John Gower, across the river at Southwark, chose otherwise, spreading himself between Latin, French, and English. But the English that Chaucer chose to write, one might say invent, opens out to Europe, rather than withdraws from it. His aim is to make English illustrious by European standards as a European language. The notion of an un-European England would, for Chaucer, make no sense at all.


Reading for Sustenance

the picture I took of the Loch Ness monster
by J J Cohen

Hello, it's JJC, as I await the plane that will take me from Edinburgh and "Time's Urgency" the conference that has been so fulfilling over the past week. I've been in Scotland for nearly two weeks, and it has been quite a country from which to observe Brexit and its aftermath. Scotland, as you will recall, voted overwhelmingly to REMAIN in the EU and is now reconsidering its recent vote to remain a part of the UK. Vast anger at the LEAVE vote is mainly what I have observed ... and a re-surfacing of a feeling that Little England never did care much for the country to its north, other than as a resource farm. Its people feel like they have been told once again that they do not matter. Well, they have ... as have the many who have rightly felt that Brexit is a xenophobic backlash.

So. Here is some reading that is keeping me going in these troubled times. Much of it re-frames the moment over a longer duration -- whether that of a person's life or a country's.



Friday, July 01, 2016

"The Brutal Middle Ages" and other smug modern errors

Still from Marketa LazarovĂĄ.
by KARL STEEL

There's a big blog post about to spring up here tomorrow, so I'm squeezing in to beat the crowds. Once you read that, obviously, those of you lucky enough to be at Leeds must go to this excellent feminist medieval event, which is happening next Wednesday.

What follows is the opening of my 9,000-word (! yes! that was our limit: mine is exactly that) chapter on Animals and Violence for the Routledge Handbook for Animal-Human History (ed. Hilda Kean and Philip Howell), which I'm delivering a month late, because although I write about animals, I too am human. Roughly speaking.

The whole thing is called "Animals and Violence: Medieval Brutality, Margery Kempe’s Vegetarianism, and the Smugness of Modern Humanism." You've perhaps already seen earlier drafts of later sections here, here, and here. If so, great!

And now to read my co-presenters' papers for the "(Dis)abling the Human/Animal Body" session for the New Chaucer Society...

------



Few readers of this chapter will be surprised to learn that examples of medieval cruelty to animals are easy to come by. William FitzStephen’s thirteenth-century portrait of London lauds the city for its entertainments, which include wrestling, target-shooting, and riverboat jousting, and also spectacular fights to the death between bulls or boars and dogs. The fourteenth-century Middle English poem Cleanness adapts Jesus' parable of the rich man's feast, so that, like a good English magnate, he proclaims the completion of preparations with a hearty ‘my bulls and my boars are baited and slain’ [my boles and my bores arn bayted and slayn]. And one early sixteenth-century English recipe meant for a convalescent begins notoriously: ‘Take a red Cock that is not too olde, and beate him to death, and when he is dead, fley him and quarter him in small peeces, and bruse the bones everye one of them.’[i]

I start here because this ‘medieval brutality’ is what would be generally expected in a chapter on the medieval and animals. ‘Medieval Brutality,’ a clichĂ© in the general culture—as with this, from the New York Times: ‘experts in radicalization said that understanding the process by which people fell for the medieval brutality of a religious ideology is vital to combating it’—distinguishes the medieval from the modern as filthier, crueler, and more ‘ferocious’ (from the Latin ferox, wild animal, as ‘brutal’ comes from the Latin brutus, ‘beast’).[ii] In this self-regard of modernity, the medieval is more animal than the present. Recall the mudcaked peasants of Monty Python’s Holy Grail, the feral pagan temptress of Marketa LazarovĂĄ, one of FrantiĆĄek Vláčil’s medieval existential tragedies, or the damp, fleshy, fecal crowds in the streets and noble courts of Alexei German’s unendurable ‘medieval’ science fiction film, Hard to be a God.[iii] The assumptions hold that the past is cruel, the present civilized; the past superstitious, the present rational; and by extension, the past animal, and the present human. According to these assumptions, medieval people were more ‘in touch’ with animals, in part because they were more like animals than those of us presumed to belong fully to the present.
My study of violence and animals focuses on the Middle Ages because of this period's strange relationship to the paired conceptions of modernity and humanity. The idea of modernity often operates by looking to the Middle Ages either as its origin—where languages, religions, cuisines, and customs arose organically—or as what it had to leave behind in order to form itself as modern, by abandoning faith, aristocracy, and the ferocious violence of medieval peoples.[iv] As Kathleen Davis argues, a supersessionary model, itself borrowed from the Middle Ages, drives these assumptions. The model was itself a central feature of medieval Christian anti-Semitism. Since the earliest Christian scriptures, Christians portrayed Jews as outmoded, hidebound in irrational laws, and parochial, superseded by a (Christian) present that is forward looking, free, creative, rational, and cosmopolitan. Davis observes that eighteenth- and nineteenth-century colonial administrators developed the concept of the ‘medieval’ to divide European modernity from colonies they preferred to think of as still trapped in the past.[v] The same assumptions of modernity persist into the present in a ‘developmental narrative,’ as Geraldine Heng writes, ‘whose trajectory positions’ the West as modern ‘and the rest of the world as always catching up.’[vi] It is an obvious irony that to the degree that the middle ages is thought of as superstitious, irrational, excessively traditional, and ahistorical—possessing only a homogeneous unchanging ‘pastness’ until the modern arrives—it becomes modernity’s ‘Jewish’ past, this while modern movements dedicated to closing borders to preserve their supposed Western freedom claim as their irrevocable heritage what they believe to be the medieval origins of their languages, nations, and especially faiths.
Left behind, yet necessary as a foundation, launching pad, or authentic core, the medieval is the animal in relation to the human of the modern. Whether this animalized medieval is actually in the past or in present-day regions, cultures, or activities disdained as ‘medieval,’ the Middle Ages is understood to be bound in a way of life like that of a mere animal: driven by instinctual appetites, beholden to the uncomprehending superstition of religious fundamentalism, and tyrannized by a rule founded only on direct, violent domination, the so-called ‘law of the jungle.’ If the animal is fundamentally ‘brutal,’ so the medieval is fundamentally animal. Both are what must be denied for the human to emerge, or both the true core concealed beneath a veneer of reason and temporary, merely decorative consumer culture.
For all these reasons, a critical reassessment of medieval attitudes towards violence against animals counteracts two interlocked delusions simultaneously, that of ‘modernity’ and ‘humanity.’ One way to resist these splits and the various paternalistic violences they justify is accurate representation, which demonstrates the heterogeneity, contradictions, and intellectual mobility of both sides of a presumed divide: Jewish exegesis was never stolidly literal, Christians could practice ritual every bit hieratic as what they accused the Jews of, and both engaged in an ongoing development of their own faith, often through exegetical exchanges, not always hostile, with each other.
So too does the notion of ‘medieval animalistic violence’ fail.
[and so on!!]




[i] W. Fitzstephen, Norman London, F. Stenton (trans.), New York: Italica Press, 1990, p. 58; Sir Gawain and the Green Knight; Pearl; Cleanness; Patience, A.C. Cawley and J. J. Anderson (ed.), London: Dent, 1991, l. 55; A. W., A Book of Cookrye, London: Edward Allde, 1587, image 13, Early English Books Online, Cambridge University Library.
[ii] K. Bennhold, ‘Same Anger, Different Ideologies: Radical Muslim and Neo-Nazi’, The New York Times, 5 March 2015 [accessed 30 June 2016].
[iii] T. Gilliam and T. Jones, Monty Python and the Holy Grail, EMI Films, 1975; F. Vláčil, Marketa LazarovĂĄ, ÚstƙednĂ­ pĆŻjčovna filmĆŻ, 1967; A. German, Hard to be a God [Trudno byt’ bogom], Kino Lorber, 2013.
[iv] For a well-known example of this tendency, see S. Greenblatt, The Swerve: How the World Became Modern, New York: W.W. Norton, 2011.
[v] K. Davis, Periodization and Sovereignty: How Ideas of Feudalism and Secularization Govern the Politics of Time, Philadelphia: University of Pennsylvania Press, 2008; I am also drawing on her as yet unpublished work ‘Convolutions of Time: Why an “Early Modern” Period?’, presented at Common Eras: Law, Literature, and the Rhetorics of Commonality in Medieval and Renaissance England, Freie UniversitĂ€t Berlin, 19 May 2016.
[vi] G. Heng, ‘The Invention of Race in the European Middle Ages 1: Race Studies, Modernity, and the Middle Ages’, Literature Compass, 8.5, 2011, p. 264.

Friday, June 24, 2016

Femfog at IMC Leeds 2016

by JONATHAN HSY

[UPDATED with location info and thanks to organizers]


Wow, I'm in DĂŒsseldorf for the MLA "Other Europes" Symposium and we are all reeling from the #Brexit vote (no doubt more on that soon).

ANNOUNCEMENT:

The Chronicle of Higher Ed just published an article following up on the #femfog fallout and a festshrift for Frantzen. Read the PDF here.

On this note, there's a last-minute(ish) roundtable session at the International Medieval Congress at Leeds on "Embracing the #femfog" (date: Wednesday July 6 at 1pm; location: Michael Sadler Building: Rupert Beckett Theatre).

Title and abstract are also available at the IMC program link (since this is a last-minute addition to the schedule, you won't find this in the printed paper program).

Embracing the #femfog

Abstract: The misogynist invention 'of femfog' and the racist praise of medieval 'white men' had unintended positive consequences: an online surge of willingness to name and act against abuse and unethical behaviour in medieval studies, not just in Anglo-Saxon studies, not just against women. Continuing these discussions, we want to expose the structures that enabled and enable unethical behaviour in universities, and aim to make medieval studies more fully inclusive, collegial, and ethical. We want to explore ways of working against emotional, verbal, and sexual abuse, gate-keeping, exploitation, and bullying especially of students and younger scholars, racism, homophobia, transphobia, ablism, and misogyny in medieval studies, and affirm the openness, collegiality and inclusivity of our fields.

With David Bowe (Oxford), Liz Herbert McAvoy (Swansea University), Jonathan Hsy (George Washington University), Dorothy Kim (Vassar), Christina Lee (University of Nottingham), Robert Stanton (Boston College), Elaine Treharne (Stanford), and Helen Young (University of Sydney). Chaired by Diane Watt (University of Surrey).

THANKS to Bettina Bildhauer (St Andrews) for all her work organizing this session, and thanks to the IMC Programming Committee for finding a suitable venue for this event.

Monday, June 20, 2016

On Refuge and Welcome

World Refugee Day,
June 20, 2016


Buttons expressing support and inclusion: a button that has a map of Asia superimposed with the question “Where are you from from?”, buttons based on flags of various Latin American countries, and a rainbow-striped button reading QUEER PRIDE AT GW. From a recent event in memory of the victims in Orlando, sponsored by the LGBT Resource Center and Multicultural Student Services Center (among others) at George Washington University.
It’s been a rough week. Sunday: a massacre at the gay nightclub Pulse in Orlando on Latin night. Thursday: the assassination of Jo Cox (Labor MP who was a strong advocate for refugees and a multiethnic Britain). Friday: the one-year anniversary of the shooting that took nine lives in Emanuel African Methodist Episcopal Church, the historic black church in Charleston. Cox’s assassination most directly draws attention to an ongoing backdrop of xenophobic #Brexit discourses (leading up to the referendum on whether the UK should stay in the EU) that have featured inflammatory symbolism and rhetoric capitalizing on fear of immigrants, refugees, and “others.”

Since today happens to be World Refugee Day, I find myself thinking a lot about spaces of refuge—whether it’s a support center for refugees or the community of a black church or a gay nightclub. In mainstream media, the Pulse massacre is repeatedly invoked as a violation of a safe space or more pointedly a refuge: not only for a gay community that has endured so much violence, but especially a space for queer latinx people who face exclusion from both gay and Latin communities concurrently.

The Pulse massacre was particularly heartbreaking for me as a queer person of color in the US and I’m not sure I could ever adequately craft words to give shape to the welter of unprocessed emotions I have experienced since. As previous posts on ITM have made clear (see Jeffrey's post here, the opening paragraph in Karl's post here and also here), recent events remind us to support each another—and to attend carefully to queer, latinx, Muslim, immigrant, and other minority communities who are deeply affected by all that has happened this week. No matter who you are or what background(s) you might claim, you can make a difference. I do hope that we (and I mean “we” in the broadest sense possible) can reflect and consider we can do in/for our various communities. Let’s make sure that violence—and the rhetoric that erupts as a result—does not further demonize those who are already most vulnerable.

Strangely enough, this week has given me unexpected clarity and a new sense of purpose to my seemingly disparate intellectual and professional activities this summer. I’ve come to realize how much I’ve been thinking about creating spaces of welcome and refuge in the field and beyond it. The Modern Language Association of America (MLA) Symposium in DĂŒsseldorf, entitled Other Europes - Migrations, Translations, Transformations will be the first conference of the MLA to be held outside of North America (say what?). I’m very excited to be participating in a roundtable on what the medieval European past means to ethnic minority authors throughout North America, and the conference’s general aim to interrogate the contours of contemporary “Europe” through the lens of translation and migration could not be more timely. I’ll be really curious to discover how the results of the UK’s EU referendum will affect these conversations. At the “Women at Sea” Symposium in Swansea (one-day event organized by Rachel Moss, Roberta Magnani, and Kristi Castleberry), I’ll be part of a co-plenary conversation with Dorothy Kim; at this venue, we’ll be listening to refugee women and exploring belongings present and past. At the International Medieval Congress in Leeds, there are plans for a conversation considering the future(s) of medieval studies entitled "Embracing the #femfog." At the New Chaucer Society Congress in London, I’ll be attending sessions in the “Corporealities” thread (which I was kindly invited to co-organize with Katie Walter). I’m eager to attend the Global Chaucers roundtable and the poetry readings by Lavinia Greenlaw and also by Patience Agbabi (author of modern Chaucerian reboot Telling Tales and participant in the Refugee Tales Walk which brings attention to and supports refugees in the UK; she's also a contributor to its related Refguee Tales anthology).

I do hope, as I have in the past, to offer some of my thoughts on these various conferences throughout the summer. Not everyone has the means to travel and attend such things, and I increasingly recognize how blogging can offer some sense of what has transpired.

What now?

What can we do in our teaching, research, or everyday lives to create spaces of welcome?
  • Contribute. On this day especially, I’d like to encourage ITM readers to consider supporting efforts such as the Refugee Tales project. Check out what this group is doing and reflect on the political and artistic significance of this work; all profits from Refugee Tales book purchases will go to the Gatwick Detainee Welfare Group and Kent Help for Refugees. If you're in the UK later this month, consider participating in some of the scheduled events. Alternatively, you might contribute to refugee-oriented charities promoted by the “Women at Sea” Symposium organizers or advance causes that Jo Cox supported.
  • Signal inclusive spaces: physical and virtual. If you’re an educator, it might be time to consider ways to signal that you welcome and support all students, no matter “where they come from” (in all senses of the phrase) or how “different” they are. It might be obvious to you that your classroom (or your office, or your online course) should be a space where a struggling student can find someone who is receptive and will not cast judgment, but such openness might not be readily apparent to a student who is vulnerable and seeking support. Check to see if your institution has a “safe space” training or program that addresses LGBTQIA+ and/or mental health concerns, and (if you have an office) put a “safe space” sign outside your door (or put a digital badge on your course website). A receptive person and a nudge to available resources can go a long way.
  • Reshape your syllabus. If you’re currently designing your fall courses, see if you can incorporate readings or other materials that might address some of the issues in this blog post. The #PulseOrlandoSyllabus and #CharlestonSyllabus are ongoing efforts to crowdsource relevant resources. Note also the comment thread after this previous ITM posting on medievalists and the global refugee crisis.


I hope that blog will continue to be a venue that can inform, provoke, create community, and connect far-flung people. Be well, ITM readers, and look out for one another—today and always.