Cue the laughter, canned or otherwise.
I am very happy to announce that Louise D'Arcens's and company's special issue of postmedieval on "Comic Medievalisms" has been released into the world today:
It is noteworthy that this issue's editor and contributors agreed to participate in our 2nd experiment in Open Crowd Review (with the help of the wonderful Kathleen Fitzpatrick and crew at MediaCommons Press, NYU), and here I would like to especially thank everyone who generously donated their valuable time as Reviewers:
Valerie Allen, Susan Aronstein, Candace Barrington, Bettina Bildhauer, Nicholas Birns, Jen Boyle, Rick Godden, Andrew Elliott, Luke Fidler, Anne Harris, Jonathan Hsy, Kate Koppelman, Bruce Holsinger, Emily Houlik-Ritchey, Amy Kaufman, Ashby Kinch, Daniel Kline, Steve Mentz, Tim Miller, Asa Mittman, Alex Mueller, Susie Nakley, Tom Prendergast, Sean Rintel, Jesús Rodríguez-VelascoIn her Introduction to the issue, Benjamin Saltzman, Myra Seaman, Kendra Smith, Karl Steel, and Stephanie Trigg"Medievalist Laughter," Louise [who also recently published the monograph Comic Medievalism: Laughing at the Middle Ages] writes that,
This issue of postmedieval explores the role of laughter and humor in medievalism. The medieval period has long provided a fund of images and ideas that have been vital to defining ‘the modern.’ From the earliest parodies of medieval chivalry, through to the scatological humor of contemporary internet medievalism, it is clear that as long as there has been medievalism, people have indulged in medievalist laughter. Comic engagement with the Middle Ages has had a vital role in the postmedieval imaginary, and thus warrants serious attention, but to date it has not received sustained analysis. The work that has appeared on comic medievalist texts has not yet led to the development of a critical language to understand the ‘affective-historical’ responses these texts generate. The essays in this issue take steps toward the development of that language.Ranging from anonymous verse of the sixteenth century, across the ‘adolescent’ prurience of eighteenth-century theater and verse, and the often overlooked humor of Walter Scott, and arriving at late twentieth and twenty-first-century televisual, cinematic and internet culture, this issue addresses a range of key questions, including: when did the Middle Ages become an object of laughter, and why? What registers of medievalist humor can be identified, and what do they ‘do’ to, and with, the medieval past? How does laughter engage with temporal and historical sensibilities? Does medievalist humor laugh mostly at the past, or does it use the past to laugh at the present? Challenging truisms about humor as an inherently subversive phenomenon, these essays together explore the affective and cultural complexity of laughing at the Middle Ages. Taken together, they demonstrate comic medievalism’s capacity to both query and reify historical periodization, as well as its tendency to preserve cherished notions of the Middle Ages even as it appears to question them.
In addition to Louise's Introduction, the issue features these essays:
Said in jest: Who’s laughing at the Middle Ages (and when)?
David MatthewsYou had to be there: Anachronism and the limits of laughing at the Middle Ages
Louise D'ArcensMedieval comic relief: Cannibal cow, duck’s neck and carry on Joan of Arc
Stephen Knight‘Simply to amuse the reader’: The humor of Walter Scott’s Reformation
Andrew LynchOne does not simply laugh in Middle Earth: Sacrificing humor in Peter Jackson’s The Lord of the RingsValhallolz: Medievalist humor on the Internet
Brantley L Bryant
We are also happy to have included in this issue the following two stand-alone articles [which were published earlier as well as part of Palgrave's Advance Online Publication (AOP) feature]:
Ella’s bloody eagle: Sharon Turner’s History of the Anglo-Saxons and Anglo-Saxon historyTowards the Middle Ages to come: The temporalities of walking with W. Morris, H. Adams and especially H.D. Thoreau
Donna Beth Ellard
Benjamin A Saltzman
And finally, the issue also features a Book Review Essay by Nicole Sidhu on "Comedy in Translation: Politics and Poetics," which covers work on and editions of comic literature by Ned Dubin, Jody Enders, and Vladmir Propp.
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